DeMartin, Michael

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E. R. Healy Ground Floor Gallery’s Portrait Photograph of Michael De Martin

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)


THE SITTER:

Name: Michael DeMartin

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium: matte collodion print with embossed oval mount

Description, front:

Description, back:

Date:

Condition:

Owner: Private collection, digital copy by permission, Schwobeda/Bloom/Taylor/DeMartin Collection

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

De Martin, Amelia V. Bloom (1870-1931)

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Theodore C. Marceau’s Portrait Photograph of Amelia V. Bloom De Martin

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Theodore C. Marceau (1859-1922)

Photographic Studio: 826 Market Street, San Francisco, California

Biographical Note: Throughout the 1880s, Theodore C. Marceau (1859-1922) established a chain of photographic studios in major cities of the United States, including Manhattan, Boston, and Philadelphia. In 1888, he moved to San Francisco and took over George Morse’s studio in the Phelan Building at 826 Market Street. At the end of the decade, he turned the operation of the studio over to Frederick Bushnell. Marceau also organized the Professional Photographers Society of New York and fought for copyright protection of photographic work.

THE SITTERS:

Names: Michael & Amelia De Martin

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 17.5 x 25.6

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: The photographer’s imprint is embossed along the bottom edge of the card.

Description, back:

Date: 1894

Condition: Owner: Private collection, digital copy by permission, 2022-952-35, Schowbeda/Bloom/Taylor/DeMartin Collection

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

De Martin, Michael (1867-1933)

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Theodore C. Marceau’s Portrait Photograph of Michael De Martin

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Theodore C. Marceau (1859-1922)

Photographic Studio: 826 Market Street, San Francisco, California

Biographical Note: Throughout the 1880s, Theodore C. Marceau (1859-1922) established a chain of photographic studios in major cities of the United States, including Manhattan, Boston, and Philadelphia. In 1888, he moved to San Francisco and took over George Morse’s studio in the Phelan Building at 826 Market Street. At the end of the decade, he turned the operation of the studio over to Frederick Bushnell. Marceau also organized the Professional Photographers Society of New York and fought for copyright protection of photographic work.

THE SITTERS:

Names: Michael & Amelia De Martin

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 17.5 x 25.6

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: The photographer’s imprint is embossed along the bottom edge of the card.

Description, back:

Date: 1894

Condition: Owner: Private collection, digital copy by permission, 2022-952-35, Schowbeda/Bloom/Taylor/DeMartin Collection

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

DeMartin, Elves M. (1904-1989)

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E. R. Healy Ground Floor Gallery’s Portrait Photograph of elves M. demartin

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)


THE SITTER:

Name: Elves M. DeMartin

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium: matte collodion print with oval mount

Description, front:

Description, back:

Date:

Condition:

Owner: Private collection, digital copy by permission, Schwobeda/Bloom/Taylor/DeMartin Collection

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

DeMartin, Rosalia (Rosalie) (1864-1887) (see Tomasini)→

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Bradley & Rulofson studio Portrait Photograph of

Louis Tomasini and Rosalia (Rosalie) DeMartin Tomasini

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographic Studio: Bradley & Rulofson, 429 Montgomery Street, San Francisco, California. Henry William Bradley (1813-1891) opened a photographic studio in San Francisco in 1850 and in 1860 took on his partner William Rulofson (1826-1876). Their studio was considered by many to be the best in California. Bradley retired in 1878.

THE SITTERS:

Names: Louis Tomasini and Rosalia (Rosalie) DeMartin Tomasini

Description: In this cabinet card, Louis Tomasini sits in a one-armed, studio chair and looks directly forward. His left arm is on the armrest and his right fist, with his index finger extended, is laid on his right thigh. His side-parted, hair is cut short, and he has a well-groomed walrus mustache. He wears a three piece suit, a white, high-collared shirt and a dark neck tie. He also wears a wedding ring, cufflinks, and a chain attached to his last vest button which most probably is linked to a pocket watch. Louis’ wife, Rosalia (Rosalie) DeMartin Tomasini, stands to his left. Her right arm is behind her and her left hand touches the sleeve of his jacket. She wears an elaborate basque and matching skirt. Her Basque has a row of front buttons and two rows of cuff pleats. Around her neck is a white ruff and several ribbons. Her skirt is profusely draped and, like her Basque, has front buttons. Her dark hair is pulled to the back of her head and just barely visible at the top of her head is the edge of a braid crown. She also wears a wedding ring, drop earrings, and a neck chain which ends in what is most probably a locket.

Biographical Note: Rosalia (Rosalie) DeMartin Tomasini was the only daughter of the wealthy and influential Marin County dairyman, Andrew DeMartin. The DeMartin family was originally from Switzerland, and Andrew was the Grand Marshall of the Swiss Society Festival in Petaluma in 1869. Rosalia married Louis Tomasini in 1880 when she was 16, and he was 35. They lived in Petaluma on the Kentucky Street hill in what was reported to be a very fashionable house. She died at age 23 leaving him a widow with three young children to raise.

Family Affiliation: Rosalia’s father was Andrew DeMartin, her husband was Louis Tomasini (1845-1899), and her children were Juliet, Lila, and Waldo.

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: Along the right edge of the card is handwritten in cursive in pencil, “Mr. + Mrs. Louis Tomasini”. In the center of the card in black print is the large and elaborate imprint of the very fashionable San Francisco studio, Bradley & Rulofson, originally owned and run by photographers Henry William Bradley (1813-1891) and William Herman Rulofson (1826-1878).

Date: 1880-1887 (It is quite probable that this is a portrait taken to commemorate the couple’s wedding which took place August 31, 1880 when Rosalia (Rosalie) was 16, and Louis was 35. In 1887, Rosalia died and the Bradley & Rulofson Studio was closed.)

Condition: This cabinet card is in very good condition.

Owner:  Petaluma Historical Library & Museum, 1992-X-21

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.